For years, Canon held the distinction of offering the only f/2 standard zoom lens. Now, Sony has unveiled their answer with the FE 28-70mm f/2 GM, and it's poised to redefine expectations. [ Read More ]Original link(Originally posted by Alex Cooke)

Sony's new a1 II mirrorless camera represents the pinnacle of hybrid shooting technology, combining exceptional resolution with blazing-fast performance. The a1 II builds upon its predecessor's foundation while introducing refined features that cater to professionals who demand versatility and reliability in every shooting scenario. [ Read More ]Original link(Originally posted by Alex Cooke)

Focus stacking can take your macro photography to a new level by allowing you to capture every detail of a subject in perfect clarity, even when that subject has considerable depth. It’s especially helpful for macro shots, where your focus plane is often razor-thin. But capturing a sharp, focus-stacked image doesn’t end with taking hundreds of shots in the field; processing them correctly is equally crucial. [ Read More ]Original link(Originally posted by Alex Cooke)

Someone on social media stated “A pro would never use a Z50!” If you’re not familiar with Nikon, this is their crop sensor entry-level camera, costing $860. I’ve heard similar statements dozens of times—matter-of-fact assertions about what pros do, usually made by photographers who aren’t actually professionals. [ Read More ]Original link(Originally posted by Simon Burn)

Sigma has officially announced the pricing and availability of four APS-C format DC DN prime lenses for Canon's RF mount system. The lenses, part of Sigma’s Contemporary line, include the 16mm f/1.4, 23mm f/1.4, 30mm f/1.4, and 56mm f/1.4, and are designed for photographers and videographers seeking compact, high-performance lenses. These additions expand Sigma’s APS-C lens offerings to six for the RF mount. [ Read More ]Original link(Originally posted by Alex Cooke)

Fujifilm has unveiled the development of its first medium format filmmaking camera, the GFX ETERNA, which is scheduled for release in 2025. Featuring a medium format 102 MP sensor and advanced processing technology, the GFX ETERNA is designed to deliver high-quality, true-to-life visuals for filmmakers working in feature films, television, documentaries, and web streaming content. [ Read More ]Original link(Originally posted by Alex Cooke)

Sony has introduced the 28-70mm f/2 G Master, the first zoom lens in its E-Mount lineup with a constant f/2 aperture. This lens combines a versatile focal range, fast aperture, and compact design, aimed at professionals across photography and video disciplines. [ Read More ]Original link(Originally posted by Alex Cooke)

Sony Electronics has officially unveiled the a1 II, a follow-up to its 2021 flagship a1. Combining high resolution, speed, and advanced AI-powered features, the a1 II aims to serve professionals in fields like photojournalism, wildlife, sports, and commercial photography. [ Read More ]Original link(Originally posted by Alex Cooke)

Choosing the right 135mm f/1.8 lens for your Sony E-mount camera can be tricky, especially with options ranging from the high-end Sony FE 135mm f/1.8 GM to the budget-friendly Samyang AF 135mm f/1.8 FE. Each lens offers unique strengths, from image quality, to price, and more. [ Read More ]Original link(Originally posted by Alex Cooke)

When you buy a camera, the decision to keep the kit lens or upgrade immediately is on your mind. Kit lenses, bundled with camera bodies, are often lightweight and versatile but have a reputation for being limited. [ Read More ]Original link(Originally posted by Alex Cooke)

I love prime lenses—they’re always my preference—but I had to travel across Spain recently to make a documentary film and was traveling light. I had to pick my lenses carefully, so I chose the 24-70mm as my main lens. I quickly discovered it was the perfect travel lens. [ Read More ]Original link(Originally posted by Simon Burn)

Photography can feel saturated these days, with everyone snapping away on their smartphones or cameras. If you want your photos to stand out, mastering a few straightforward techniques can make a huge difference. These tips are easy to apply and will help you capture more captivating images. [ Read More ]Original link(Originally posted by Alex Cooke)

Long exposures and intentional camera movement (ICM) open up a side of photography that’s impossible to capture with the naked eye. They create ghostly, dynamic images that capture the essence of movement, emotion, and atmosphere, transforming everyday scenes into ethereal, dreamlike compositions. [ Read More ]Original link(Originally posted by Alex Cooke)

So many of us photographers seem to have an insatiable appetite for camera gear. For some, it’s G.A.S. (gear acquisition syndrome), while others are honing their photographic experiences into a seemingly futile and almost never-ending quest to trade up to the perfect camera. For a rare few, they have found their gear and are sticking to it. [ Read More ]Original link(Originally posted by Aram David)

Capturing compelling images in busy, chaotic spaces requires a mix of patience and creativity. With the right techniques, you can turn even the most overwhelming environments into opportunities for striking compositions. [ Read More ]Original link(Originally posted by Alex Cooke)

Adjusting brightness, contrast, and color in an image can change everything about a photo’s mood and focus. Two key tools in Photoshop that allow you to manipulate these aspects precisely are the Levels and Curves adjustments. Each tool has its strengths and hidden features that provide control over light and color in ways that are unique to each method. [ Read More ]Original link(Originally posted by Alex Cooke)

Landscape photography, often romanticized as a calm pursuit, is, in reality, a demanding test of patience. Unlike studio photography, where they control the lighting, backdrop, and subject, we landscape photographers must yield to nature’s rhythm. Whether it’s the color at golden hour, a dramatic storm, or a perfectly composed scene, capturing the ideal moment requires unwavering patience. [ Read More ]Original link(Originally posted by Darren J. Spoonley)

Digital film simulations have become a popular way to capture the look of classic film stocks without the hassle of processing and scanning. They’re practical for anyone who wants a specific aesthetic without spending time on extensive post-processing, and they give you the freedom to focus on composition and light. [ Read More ]Original link(Originally posted by Alex Cooke)

The Olympus M.Zuiko Digital ED 60mm f/2.8 Macro is a compact, versatile macro lens that excels in close-up photography. If you’re looking for an option that balances impressive magnification with portability at a competitive price, this lens offers a practical solution, making it a solid choice for capturing detail-rich images of insects, plants, and other small subjects. [ Read More ]Original link(Originally posted by Alex Cooke)

This relatively new addition to the AI-powered remove tool makes choosing what you want to remove faster and easier. Check it out: Above: Here’s the original image. The lantern on the far right is partially cut off (and I don’t like the fact that we have an even number of lanterns), so we’ll remove it by first clicking on the Remove icon (or just pressing the letter Q on your keyboard to bring up that panel). STEP ONE: In the Remove panel, click on the first icon of tools (the one that looks like an eraser), and then turn on the ‘Use Generative AI’ checkbox (as shown here). STEP TWO: The way this tool works is that you paint FULLY over...